Chapter 9 - The DJ’s Recording

Naomi moved fast.
By Thursday morning, preservation letters were delivered. By noon, Victoria’s legal team responded with outrage, denial, and a settlement offer so insulting it almost felt comic: a fifty-thousand-dollar educational grant, one year of private training, and a confidential acknowledgment that “artistic overlap can occur innocently within mentorship traditions.”
Naomi slid the offer across Emma’s table. “Translation: hush money with flattering adjectives.”
Emma pushed it back. “No.”
Lily, doing math homework nearby, didn’t even look up. “No.”
Marcus grinned. “That’s two noes. Strong consensus.”
But Naomi wasn’t smiling. “Refusing means escalation. Be ready.”
That afternoon, Marcus asked Emma to meet him at the station where he worked part-time running audio for local broadcasts. He led her into a small editing suite and closed the door.
“What is this?” Emma asked.
He sat at the console. “Something I should’ve remembered sooner.”
On the monitor, he opened an old folder labeled BROOKS TRIBUTE ARCHIVE. The date was twelve years old.
“I used to record recitals for Jo,” he said. “Cheap side work. Mostly parents wanted DVDs. When the studio closed, I copied some files and forgot about them.”
He hit play.
The screen showed Jo’s old studio, mirrors and tape marks and all. Young Victoria stood at center in practice clothes, frustrated and sweating. Off-camera, Jo’s voice counted time.
Again, Victoria. Not sharper—truer.
Victoria tried the phrase, stumbled, and cursed.
Jo stepped into frame, demonstrating the exact lift-and-delay transition that later became famous as Victoria’s Crown Turn.
Emma covered her mouth.
Then came the line that turned evidence into dynamite.
Young Victoria, breathless and irritated, said, “Why are you saving this one for the family?”
Jo replied, “Because Daniel was Emma’s husband and grief ain’t marketing.”
Victoria laughed bitterly. “Everything is marketing if it’s good enough.”
The video ended in static.
Emma sat down hard in the nearest chair.
Marcus looked at her quietly. “There’s more.”
He opened an audio-only file from a later date. On it, Jo sounded tired, weaker.
Victoria’s voice came in, softer than Emma had ever heard it. Persuasive. “If you sign, I can protect the work.”
Jo answered, “Protect it from who? The person asking for it?”
A long pause.
Then Victoria said, “From being forgotten.”
Jo replied, “Forgotten ain’t the same as stolen.”
The recording cut there.
Emma stared at the waveform on the screen as if it were a heart monitor.
“This is enough,” she whispered.
“It’s enough to scare her,” Marcus said. “Maybe enough to finish her.”
Nicole agreed. “We don’t release the full archive yet,” she said over speakerphone that evening. “We use it strategically. Too much at once lets them spin. Piece by piece, we tighten the room.”
Naomi nodded. “First, board pressure. Then donor pressure. Then media exposure. Meanwhile, I file notice of intent and request a forensic review of the foundation’s scholarship claims.”
Emma looked from one determined face to another. A week ago she had been a widow trying to protect a child from humiliation. Now she was sitting in a war room.
Lily came out of the bedroom holding one of Jo’s notebooks. “Mom?”
“Yes, baby?”
“Grandma wrote names in here.”
Emma took the notebook. Jo had listed children in columns. Beside each name were notes: shoes needed, rides needed, tuition waived, aunt sick, gifted but scared, hearing-impaired—count visually.
Lily touched the page. “She remembered everybody.”
Emma nodded.
Lily’s voice went small. “Victoria gets to wear nice dresses and tell speeches, but Grandma was the one who really loved kids.”
Emma pulled her into her lap. “Yes.”
Lily rested her head against Emma’s chest. “Then if we win, can we make it Grandma’s money, not Victoria’s?”
Emma kissed her forehead. “That’s exactly what we’ll do.”
At nine that night, Nicole texted a screenshot of an email leak from inside the Hale Foundation board.
URGENT EXECUTIVE SESSION TOMORROW. ALL MEMBERS MANDATORY.
Marcus whistled. “She’s bleeding.”
Naomi stood and gathered her files. “Good. People like Victoria survive because everyone around them prefers elegance to honesty. Once the cost of elegance gets too high, the room changes.”
Emma walked her to the door. “Do you really think the board will turn on her?”
Naomi’s expression was cool. “Boards don’t have consciences. They have exposure thresholds.”
Later, when the apartment quieted, Emma opened Jo’s notebooks again. Tucked between two pages she found a small Polaroid.
Jo stood beside Victoria and Emma in the old studio. Emma was younger, Daniel alive, Lily still a baby in her arms.
On the white border below, Jo had written:
Some daughters are born. Some arrive tired and stay.
Emma burst into tears.
It was one thing to fight a liar. It was another to realize the dead still believed in you.
Her phone buzzed.
This time it wasn’t an unknown number.
It was Allison Pike.
Emma almost let it go to voicemail, then answered.
Allison’s voice was low and stripped of polish. “This is off the record. If you have original materials, don’t give Victoria a chance to know where they are.”
Emma went silent.
Allison exhaled. “She has men who solve problems.”
“Why are you telling me this?”
May you like
A beat. Then: “Because I just resigned.”
The line cut.